Handmade craft by a man who's soul sees better than his eyes do. Visually challenged mixed media based in the Southwestern United States. Primitive pottery, sculpture, and paint.
It’s basically dirt. Earth. Cultures all over the world have history going back thousands of years of making mud, firing it, and using it as storage, decoration, and food ware. The earliest known use of clay was a statuette of Venus of Dolni Věstonice, dated 28,000 BCE, found in the Czech Republic (American Ceramic Society, 2024). The oldest form of clay pottery was found in Japan, dating approximately 14,500 BCE (Violatti, 2024).
While the process is largely the same everywhere, the slight differences in mineral content and firing techniques play a major role in what each piece looks like. These differences are so distinct to regional and cultural era, pottery can be used to determine the age of an archaeological site by the fragments left behind, even when there are no written records to confirm it (Violatti, 2024).
I feel like I have always had experience with clay. I remember playing in the yard with my cousins, making mud pies, or building sandcastles at the beach in Oceanside. I’ve spent many summers in New Mexico and remember finding pottery shards all over the desert. Even as I grew older, I enjoyed digging and scraping in the soil make a garden bed, or to prevent flood water from climbing onto the patio.
I’ve learned about its malleability on muddy soccer fields. I learned about its form reading ground balls while playing baseball in the summer. I can even distinctly recall a middle school world history class assignment that required making a Mesopotamian seal out of air-dry clay. It’s been around the whole time.
As a student of Environmental Science, and an advocate for sustainability, I understand the importance of clay pots in the garden. In my recent research into propagation, I found myself needing lots of new pots but, I don’t want to use plastic. They can get expensive to buy but, how hard could it be to make one? In September 2024, I began consciously exploring clay. I searched YouTube for videos on Ancient Pottery techniques, played with Play-Do, and consulted with Chat GPT on modern conventional practices.
I have been inspired. During one of my first intentional experiences with clay, I had an epiphany. Something I had been seeking for decades suddenly appeared.
Growing up with Keratoconus was manageable. I did well in school. I played sports, was an excellent driver, and worked in several kitchens since my senior year in High School. Despite limitations to my eyesight, I always found a way to get by. I took pride in what I was capable of, despite my challenges.
However, by 2017, the contact lenses that were prescribed to manage my condition began to do more damage than good. Because my condition wouldn’t be alleviated with glasses, I spent a few years without any correction. It was both anxiety inducing and liberating. I had to learn to rely on my other senses, and muscle memory, to live day to day. At the same time, as a hyper aware defensive athlete, I began to notice some of the anxiety of feeling the need to read people start to fade, and I was less concerned with how I appeared to others.
In that time, I was even drawn to photography, a medium heavily reliant on the eye. I was not bound by intricate detail but, I developed a sense of “the bigger picture.” I became versed in the laws of composition, contrast, and color in way I may not have studied under other circumstances. While I have recently had my first corneal transplant, restoring one eye to a moderate level, achieving a proper focus and definition is still a challenge for me. However, I’ve embraced my unique perspective, just the same.
My resilient spirit just won’t allow me to wallow. I’ve been collecting disability but, I refuse to allow it to be an excuse to not pursue a worthwhile living. Without being able to drive safely, especially where I am in California, makes a significant hurdle in finding a job. Not to mention, the levels of safety I would have to consider in roles requiring attention to detail, such as in a kitchen or working a cash register. So, I’ve been longing for a kind of work that I could do without the need for perfect vision.
While it will still take some work to make an actual living with clay, it was the first time that I felt like I could do something productive, even if my eye support happens to fail me. I’m hoping that a collector, investor, or customer might see the value in that beyond the physical matter, once I begin to make pieces available.
I started SoulSeesBest as a brand and idea to convey that message in my work. It is also to document the process, not only for that purpose but also, to hold myself accountable in continuing to learn and grow in this space. It might also serve as inspiration for others who are faced with disability and similar challenges.
You can watch me live streaming on Twitch (Disclaimer: Adult Content) and find more video content on YouTube.
Resources:
American Ceramic Society. (2024). A Brief History of Ceramics and Glass. Ceramics.org. https://ceramics.org/about/what-are-ceramics/a-brief-history-of-ceramics-and-glass/
Violatti, Cristian. (2014). Pottery in Antiquity. WorldHistory.org. https://www.worldhistory.org/pottery/
October 6, 2024: I've decided to try my first piece of primitive pottery fire. My hypotheses is that it could work but, I do have various concerns.
https://www.blog.writerjoshua.com/2024/10/first-coffee-can-pottery-fire-running.html
October 1, 2024: How-To Culture has softened our desire to learn independently. Why don't I just find out for myself? https://www.blog.writerjoshua.com/2024/10/opinion-knowing-why-one-easy-step-to.html
September 12, 2024: My journey with clay began in the physical realm in the late summer of 2024 but, spiritually speaking, I've been in touch all my life.
https://www.blog.writerjoshua.com/2024/09/soulseesbest-my-clay-journey.html
Beginning with air dry clay to get my hands used to clay, I began to transition to a wild, homemade clay. This is the first official collection of SoulSeesBest pottery. There currently no pieces available for sale.
Elizabeth RESERVED
Air dry clay. One of the more substantial pieces, a pinch pot with experimental design work. She is the most graceful, abundant, and elegant of the collection.
Amelia NOT AVAILABLE
Air dry clay. Named for the famous pilot, she was the first pinch pot of the collection. Making her, I had the epiphany that helped kick start this entire venture. A very special piece, not available to the public.
Ava RESERVED
Air dry clay. She was a more ambitious piece when I began this journey. One of the larger pinch pot creations, Ava would eventually resemble a bird bath.
Maize Duo RESERVED
Wild clay. One of the first wild clay expeditions. Inspired by the adobe of the Southwest, I added strips of dried corn leaves before polishing these two.
Carmen RESERVED
Wild clay. The first true artistic wild clay pursuit. I stopped thinking about why it wouldn't work and began to trust my instinct. The first wild clay pinch pot that I polished. Unavailable to the public.
Velora SOLD
Air dry clay. One of the earlier pieces, she began as a spun pottery but, I was over ambitious and couldn't get her as tall as I wanted. She began widen under her thick walls and resembles more of a sturdy ash tray.
Sofia Duo SOLD
Wild clay. These were some of the first wild clay pots, meant to simple, biodegradable plant pots. After recognizing the potential for polishing and shaping, I used the technique to create unique designs by partially polishing segments to maintain the wisdom of primitive Earth, while moving towards progress with smoother sections, as well.
Viviana SOLD
Air dry clay. One of the earliest attempts at pottery, she began to resemble a goblet, with a narrow stem, on a moderate base, with a large cup.